The architecture of interiors is in essence the attempt to capture the spirit of the clients and reset it in a ‘designer format’ in their exclusive spaces.

Artificial illumination first and foremost addresses the efficacy of energy and appropriateness for the activity. It then turns its attention to the creation of myriads of moods and accents, when in use and looks to celebrate designer fixtures as objets d’art, when not in use.

The elements making up personalised spaces stand cheek by jowl; a pot pourri created as an eclectic mix of designer pieces, memorabilia, collectibles, textures and colours that are in conversation with each other, before people enter the spaces! It is the imperfections that reiterate the ethos of the user. However, the interior architecture of public-institutional or corporate spaces, is where the universality of usage gives leverage to dictate paradigms.